"The British public, you mean," said the visitor; "they are each
likely to tear you to pieces."
"Yes, I have heard that the pit on the first night of a bad play is
something awful," hazarded the American.
"Wait and see," said the visitor.
"Thank you," said the American, meekly.
Every one who came to the first floor front talked about a play. It
seemed to be something of great moment to the American. It was only a
bundle of leaves printed in red and black inks and bound in brown
paper covers. There were two of them, and the American called them by
different names: one was his comedy and one was his tragedy.
"They are both likely to be tragedies," the Lion heard one of the
visitors say to another, as they drove away together. "Our young
friend takes it too seriously."
The American spent most of his time by his desk at the window writing
on little blue pads and tearing up what he wrote, or in reading over
one of the plays to himself in a loud voice. In time the number of his
visitors increased, and to some of these he would read his play; and
after they had left him he was either depressed and silent or excited
and jubilant. The Lion could always tell when he was happy because
then he would go to the side table and pour himself out a drink and
say, "Here's to me," but when he was depressed he would stand holding
the glass in his hand, and finally pour the liquor back into the
bottle again and say, "What's the use of that?"
After he had been in London a month he wrote less and was more
frequently abroad, sallying forth in beautiful raiment, and coming
home by daylight.
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