Then,
too, my brother Edward ceasing to act as my father's assistant in order to
devote himself to journalism on his own account, I had to take over a part
of his duties. One of my cousins, Montague Vizetelly (son of my uncle
James, who was the head of our family), came from England, however, to
assist my father in the more serious work, such as I, by reason of my
youth, could not yet perform. My spare time was spent largely in taking
instructions to artists or fetching drawings from them. At one moment I
might be at Mont-martre, and at another in the Quartier Latin, calling on
Pelcoq, Anastasi, Janet Lange, Gustave Janet, Pauquet, Thorigny, Gaildrau,
Deroy, Bocourt, Darjou, Lix, Moulin, Fichot, Blanchard, or other artists
who worked for the _Illustrated London News_. Occasionally a sketch was
posted to England, but more frequently I had to despatch some drawing on
wood by rail. Though I have never been anything but an amateurish
draughtsman myself, I certainly developed a critical faculty, and acquired
a knowledge of different artistic methods, during my intercourse with so
many of the _dessinateurs_ of the last years of the Second Empire.
By-and-by more serious duties were allotted to me.
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