Burnamy could not bear to let it. "I don't pretend to be very well up in
French literature," he began, "but I think such a book as 'The Maiden
Knight' isn't such a bad piece of work; people are liking a pretty
well-built story when they like it. Of course it's sentimental, and it
begs the question a good deal; but it imagines something heroic in
character, and it makes the reader imagine it too. The man who wrote that
book may be a donkey half the time, but he's a genius the other half.
By-and-by he'll do something--after he's come to see that his 'Maiden
Knight' was a fool--that I believe even you won't be down on, Mr. March,
if he paints a heroic type as powerfully as he does in this book."
He spoke with the authority of a journalist, and though he deferred to
March in the end, he deferred with authority still. March liked him for
coming to the defence of a young writer whom he had not himself learned
to like yet. "Yes," he said, "if he has the power you say, and can keep
it after he comes to his artistic consciousness!"
Mrs. Leffers, as if she thought things were going her way, smiled; Rose
Adding listened with shining eyes expectantly fixed on March; his mother
viewed his rapture with tender amusement.
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