A
figure seized his attention with a sudden fascination of conjecture and
rejection: the figure of a tall young man who came out on the promenade
and without looking round, walked swiftly away to the bow of the ship,
and stood there, looking down at the water in an attitude which was
bewilderingly familiar. His movement, his posture, his dress, even, was
that of Burnamy, and March, after a first flush of pleasure, felt a
sickening repulsion in the notion of his presence. It would have been
such a cheap performance on the part of life, which has all sorts of
chances at command, and need not descend to the poor tricks of
second-rate fiction; and he accused Burnamy of a complicity in the bad
taste of the affair, though he realized, when he reflected, that if it
were really Burnamy he must have sailed in as much unconsciousness of the
Triscoes as he himself had done. He had probably got out of money and had
hurried home while he had still enough to pay the second-cabin fare on
the first boat back. Clearly he was not to blame, but life was to blame
for such a shabby device; and March felt this so keenly that he wished to
turn from the situation, and have nothing to do with it. He kept moving
toward him, drawn by the fatal attraction, and at a few paces' distance
the young man whirled about and showed him the face of a stranger.
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