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?© de, 1799-1850

"The Collection of Antiquities"

The ceiling spaces between the chestnut cross-beams in
the fine old roof were decorated with scroll-work patterns; there was
a little faded gilding still left along the angles. The walls were
covered with Flemish tapestry, six scenes from the Judgment of
Solomon, framed in golden garlands, with satyrs and cupids playing
among the leaves. The parquet floor had been laid down by the present
Marquis, and Chesnel had picked up the furniture at sales of the
wreckage of old chateaux between 1793 and 1795; so that there were
Louis Quatorze consoles, tables, clock-cases, andirons, candle-sconces
and tapestry-covered chairs, which marvelously completed a stately
room, large out of all proportion to the house. Luckily, however,
there was an equally lofty ante-chamber, the ancient Salle des Pas
Perdus of the presidial, which communicated likewise with the
magistrate's deliberating chamber, used by the d'Esgrignons as a
dining-room.
"Beneath the old paneling, amid the threadbare braveries of a bygone
day, some eight or ten dowagers were drawn up in state in a quavering
line; some with palsied heads, others dark and shriveled like mummies;
some erect and stiff, others bowed and bent, but all of them tricked
out in more or less fantastic costumes as far as possible removed from
the fashion of the day, with be-ribboned caps above their curled and
powdered 'heads,' and old discolored lace.


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