No painter however earnest,
no caricature however wild, ever caught the haunting fascination of
those aged women; they come back to me in dreams; their puckered faces
shape themselves in my memory whenever I meet an old woman who puts me
in mind of them by some faint resemblance of dress or feature. And
whether it is that misfortune has initiated me into the secrets of
irremediable and overwhelming disaster; whether that I have come to
understand the whole range of human feelings, and, best of all, the
thoughts of Old Age and Regret; whatever the reason, nowhere and never
again have I seen among the living or in the faces of the dying the
wan look of certain gray eyes that I remember, nor the dreadful
brightness of others that were black.
"Neither Hoffmann nor Maturin, the two weirdest imaginations of our
time, ever gave me such a thrill of terror as I used to feel when I
watched the automaton movements of those bodies sheathed in whalebone.
The paint on actors' faces never caused me a shock; I could see below
it the rouge in grain, the rouge de naissance, to quote a comrade at
least as malicious as I can be. Years had leveled those women's faces,
and at the same time furrowed them with wrinkles, till they looked
like the heads on wooden nutcrackers carved in Germany.
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