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?© de, 1799-1850

"The Collection of Antiquities"

des Touches' little drawing-room--to wit, des Lupeaulx,
a Master of Requests, who at that time stood very well at court,
Vandenesse, the Vicomtesse de Grandlieu, Canalis, and Mme. de Serizy.
"D'Esgrignon and Maufrigneuse are two names that are sure to cling
together," said Mme. de Serizy, who aspired to epigram.
"For some days past she has been out at grass on Platonism," said des
Lupeaulx.
"She will ruin that poor innocent," added Charles de Vandenesse.
"What do you mean?" asked Mlle. des Touches.
"Oh, morally and financially, beyond all doubt," said the Vicomtesse,
rising.
The cruel words were cruelly true for young d'Esgrignon.
Next morning he wrote to his aunt describing his introduction into the
high world of the Faubourg Saint-Germain in bright colors flung by the
prism of love, explaining the reception which met him everywhere in a
way which gratified his father's family pride. The Marquis would have
the whole long letter read to him twice; he rubbed his hands when he
heard of the Vidame de Pamiers' dinner--the Vidame was an old
acquaintance--and of the subsequent introduction to the Duchess; but
at Blondet's name he lost himself in conjectures. What could the
younger son of a judge, a public prosecutor during the Revolution,
have been doing there?
There was joy that evening among the Collection of Antiquities.


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