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Morley, Christopher, 1890-1957

"Seasoned"

In
essence, poetry is the love of life--not mere brutish tenacity of
sensation, but a passion for all the honesties that make life free
and generous and clean. For two thousand years poets have mocked and
taunted the cruelties and follies of men, but to what purpose?
Wordsworth said: "In spite of difference of soil and climate, of
language and manners, of laws and customs, in spite of things
silently gone out of mind, and things violently destroyed, the Poet
binds together by passion and knowledge the vast empire of human
society, as it is spread over the whole earth, and over all time."
Sometimes it seems as though "things violently destroyed," and the
people who destroy them, are too strong for the poets. Where, now,
do we see any cohesive binding together of humanity? Are we nearer
these things than when Wordsworth and Coleridge walked and talked on
the Quantock Hills or on that immortal road "between Porlock and
Linton"? Hardy writes "The Dynasts," Joseph Conrad writes his great
preface to "The Nigger of the _Narcissus_," but do the destroyers
hear them? Have you read again, since the War, Gulliver's "Voyage to
the Houyhnhnms," or Herman Melville's "Moby Dick"? These men wrote,
whether in verse or prose, in the true spirit of poets; and Swift's
satire, which the text-book writers all tell you is so gross and
savage as to suggest the author's approaching madness, seems tender
and suave by comparison with what we know to-day.


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