We fear we cannot describe this pond to you in a way to carry
conviction. You will think we exaggerate if we tell you, with honest
warmth, how fair the prospect is. Therefore, in sketching the scene,
we will be austere, churlish, a miser of adjectives. We will tell
you naught of sun-sparkle by day where the green and gold of April
linger in that small hollow landskip, where the light shines red
through the faint bronze veins of young leaves--much as it shines
red through the finger joinings of a child's hand held toward the
sun. We will tell you naught of frog-song by night, of those
reduplicated whistlings and peepings. We will tell you naught of....
No, we will be austere.
On one side, this pond reflects the white cloudy bravery of fruit
trees in flower, veterans of an orchard surviving an old farmhouse
that stood on the hilltop long ago. It burned, we believe: only a
rectangle of low stone walls remains. Opposite, the hollow is
overlooked by a bumpy hillock fringed with those excellent dark
evergreen trees--shall we call them hemlocks?--whose flat fronds
silhouette against the sky and contribute a feeling of mystery and
wilderness. On this little hill are several japonica trees, in
violent ruddy blossom; and clumps of tiger lily blades springing up;
and bloodroots. The region prickles thickly with blackberry
brambles, and mats of honeysuckle. Across the pond, looking from the
waterside meadow where the first violets are, your gaze skips (like
a flat stone deftly flung) from the level amber (dimpled with
silver) of the water, through a convenient dip of country where the
fields are folded down below the level of the pool.
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